The Structure of Worship Archives - Page 7 of 8 - Seedbed

Market segmentation—it's a business concept that appears to have made its way into the church, expressed primarily through worship services tailored for different audiences. In today's post, Jonathan Lawson examines the effect of traditional and contemporary worship styles on the church.

If we’re serious about letting the Christian calendar be our master calendar, how can we change some of our life patterns to more intentionally follow that calendar? Teddy Ray suggests for each season some simple practices in three different areas: family/individual, worship, and larger church activity.

What is liturgy and why does it matter for the church? Hear Dr. Michael Pasquarello III on the nature and place of liturgical worship in the church.

For many people, not only is there a paradoxical tension of anonymity and unity at the communion table, but at times, communion has been reduced to mere ritual and formality- something we should do, but without any real sense of why.

When charismatic worship moved into mainline churches, in many cases it left behind the theology out of which in came, creating dissonance. And for those unwilling to ask questions, this dissonance was magnified. When encountering the unfamiliar, the chaotic or vague, ridicule emerges as a primary coping tactic.

Contemporary worship music has come under fire for being flashy and theologically weak. However, always the contrarian, I have become a bit perturbed by the way that many people talk about contemporary worship. This dismissive attitude becomes ultimately unhelpful because it assigns generalities to an entire genre of music.

I've often thought of my life as having been lived on the edge of the liturgy. I suspect that perspective will resonate with many in the Wesleyan and Methodist tradition. I offer here a few reflections on the early stages of my own journey from the edge of the liturgical stream into deeper waters.

Worship pastor Drew Causey shares 5 of his favorite modern hymn artists and arrangements, arguing that the depth of writing in the hymnody of the Church is something people love (and desire), and when style of music can become a means to this end, the Church only benefits.

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