Author: Philip Tallon

John of Damascus grounds the making of image in the incarnation (the “taking on flesh”) of Jesus Christ, who “married” heaven and earth through the union of God and man. If the God-Man Jesus is the “express image” of God, as Hebrews 1:3 says, then the artist is free to express himself creatively, using the material of the world to faithfully image God in Christ.

There’s an operative logic of redemption running so deep in Western storytelling that, given enough time, we should expect that all villains will eventually become heroes. Origen may have been wrong to state that even the devil will eventually be saved, but a certain kind of “narrative universalism” is true in Hollywood.